The Naked Sheep


I probably don’t blog about my students’ work enough, but this piece I particularly like because it was a collaboration between students who are actually working on different projects. The Naked Sheep is a collaboration between Tina Tomovic and “Anna & Juan“, AKA Josefina Eliggi and Luzius Schnellmann. (Luzius actually works as an assistant to the Design MA in Luzern but is collaborating with Josefina).


Anna & Juan explores the creation and re-discovery of sustainable, natural dyes and wool production at a local level, while Tina is looking at the nature of souvenirs and interactivity. Tina created as a souvenir idea for the Anna & Juan Pop-Up Store. It’s witty, playful and simple, which I always enjoy.

Tina also created the logo for the pop-up store flyer, which I can best describe as a kind of textile, crochet typography. What am I saying? I can best describe it with a picture:


Little Digits – Finger Counting with the iPad

Little Digits (iTunes link) is a new iPad app from Chris O’Shea’s company Cowly Owl described as a “fun educational app that teaches children about numbers by putting a new spin on finger counting.”

Using the iPad multi-touch screen, Little Digits displays number characters by detecting how many fingers you put down. Children can learn to associate the number on the screen with the number of fingers they place down, whilst enjoying the unique characters and animations of the Little Digits world.

There are also games that introduce small addition and subtraction calculations, where you can work out the answer using the same multi-touch finger detection.

Speaking as someone whose three year-old regularly grabs my iPad, I can see she might enjoy this. She loves Nighty Night (as do I).

Unamed Soundsculpture

What with all the talk of service design, I’ve been ignoring my interactive roots, but for a research project about buildings as hybrid communication hubs (more on that another time) I’ve had a reason to take a look at Processing and a couple of interactive tools again. A few things have caught my eye recently.

The first is a piece currently on the Processing exhibition page. It’s a video work called Unnamed Soundsculpture by Daniel Franke and Cedric Kiefer. I’m not such a big fan of the music, but the way they created the piece is interesting:

[A dancer] was recorded by three depth cameras (Kinect), in which the intersection of the images was later put together to a three-dimensional volume (3d point cloud), so we were able to use the collected data throughout the further process. The three-dimensional image allowed us a completely free handling of the digital camera, without limitations of the perspective. The camera also reacts to the sound and supports the physical imitation of the musical piece by the performer.

I’m especially impressed by the use of the Kinect cameras – previously that kind of equipment was in the domain of specialised motion-capture studios for large budget visual effects. These guys are just in their studio with the Kinect cameras taped to some podiums.


(Image: ChopChop)

I’ll blog about the others presently.