Art

The Art of Isolated Thousands

by Andy Polaine on May 11, 2009

in General

Bicycle Built for Two Thousand from Aaron on Vimeo.

Information used to be scarce, held by the rich and powerful and carefully guarded. Now we have and overwhelming amount of the stuff and each leave huge trails of it wherever we go, online and offline. It is no wonder that Data Visualisation has become such a rich area for the blending of designers, artists, programmers and number fetishists. These days there are enormous datasets, often with open APIs to mine.

Aaron Koblin’s project, Flight Patterns gained a lot of attention for its beautiful, ghostly patterns of flights in and out of the USA built from FAA flight data as did his work on the Radiohead House of Cards “video”.

But what do you do when you want to create a large data set all of your own? I went back to Koblin’s site for a lecture I am writing and was thrilled to discover a whole set of new projects in which he has crowdsourced input from thousands of people using Amazon’s Mechanical Turk platform.

The above video is from A Bicycle Built for Two Thousand – a collaboration with Daniel Massey – in which over 2,000 people were asked to record themselves emulating a tiny snippet of audio sung by a computer from the famous song.

sheep market.gif

For The Sheep Market, 10,000 participants were asked to “draw a sheep, facing left”. But my favourite is Ten Thousand Cents, which has also been around the web quite a bit. For Ten Thousand Cents, 10,000 people were paid one cent to draw 1/10,000th of an image of a $100 bill.

10000k.jpg

Like The Sheep Market it uses a custom drawing tool that records the drawing process, which is played back as you explore the images. It reminds me a of Andy Deck’s Glyphiti project, which has been around for some time now, except that in the all the Mechanical Turk instances, none of the participants had any idea of the end goal. This, for me, is where the magic lies.

There is something quite powerful about the idea of thousands of people creating a work of art in tiny, unrelated chunks, unaware of what they are contributing to. Quite apart from the end result, it provides an engaging commentary on our networked society both in terms of online connections and the global economy and sustainability.

And the sheep are hilarious.

AC/DC ASCII

by Andy Polaine on November 7, 2008

in General

AC/DC’s Rock ‘n’ Roll Train created as ASCII art in an Excel spreadsheet “smashing through the corporate firewall”. I’m having flashbacks to my schooldays with BBC Micros.

Some people have too much time on their hands. (But, wait, I’m blogging it. What’s worse?)

You can download the original spreadsheet and play it yourself if you like (but it didn’t work on my Mac because Office is so lame).

(Originally tweeted by Mark).

Peter Polaine

October 28, 2008

Just a quick note to say if you are here because you are looking for the work of my father, Peter Polaine, the newspaper covering his portrait exhibition with Derek Chambers printed my URL by mistake. Peter’s site is over here.

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Generative Art

October 26, 2008

Nothing changes much. Re-dub courtesy of Phillip Kerman.

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An Audience of Mirrors

October 8, 2008

Audience from Chris O'Shea on Vimeo. Audience is a new installation from rAndom International, with software by Chris O’Shea, for the Deloitte Ignite Festival at the Royal Opera House. 64 mirrors are places in a ‘crowd’ and programmed to behave with different ‘human’ characteristics. It’s a witty reversal of the normal roles of art and [...]

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Art is the tonsils of education

September 15, 2008

I interviewed the renown fantasy illustrator, John Howe, for Desktop last week. I had a great chat with him and he talked about design and art education, some of which I had to cut out due to space. The tonsils comment I couldn’t bear to leave on the surgery cutting room floor: “Art is perceived [...]

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Why is so much New Media Art so shit?

September 14, 2008

I’ve been pondering this question a lot recently whilst writing my PhD stuff recently (it covers this area a lot). Fortunately the Near Future Laboratory explain why with their Top 15 criteria that define “interactive” or “new media” art. It’s worryingly spot on, which makes me suspect the writers have made a few of these [...]

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Peter Polaine at The Pin Mill Studio

July 8, 2008

Christmas Dinner by Peter Polaine Quick plug for my dad, Peter Polaine, who has an exhibition of his woodcut prints on at The Pin Mill Studio in Suffolk at the moment until the 18th July. If you’ve ever wondered what Playpen’s dad sounds like, he was interviewed by Georgina Wroe on local BBC Radio today. [...]

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Core77 Broadcast interview with Troika

May 6, 2008

A few weeks ago I had the pleasure of interviewing Sebastien and Eva from Troika, the studio behind the Cloud and All The Time In The World installations at new Terminal 5 at Heathrow. So, if you were one of the hundreds stuck at Terminal 5 when it opened, at least you had something decent [...]

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Photojojo’s Time Capsule

May 1, 2008
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